Photo by Dusana Risovic

Sunday at Bonnaroo was the pinnacle of the festival and, after a few weather warnings, marked by the long-awaited debut of Foo Fighters. Originally slated to headline in 2020, their performance was delayed due to the pandemic. The band triumphantly took the main stage last night in Manchester, Tenn., transformed with a new album while still raw with the loss of Taylor Hawkins.

True to form, Dave Grohl continued his tradition of inviting special guests to join them on stage. His daughter, who is featured on their new album, added a heartfelt touch to the performance, and Hayley Williams, who had earlier performed with Paramore, also made appearances. Williams, a Bonnaroo regular with a rich history at the festival, has surprised audiences in the past, performed with her various groups, and even curated a section of the campgrounds.

The final day’s lineup also included several esteemed Bonnaroo veterans. The Revivalists, a band that has grown alongside the festival over the past decade, closed their set on the What Stage with their latest single, “Kid.” During their performance, Brad Walker stepped in on saxophone for Rob Ingraham. Meanwhile, Marcus Mumford, renowned for his captivating sets that historically packed the Which Stage, had the honor of closing out the stage. Mumford shared anecdotes about spending time with Friday’s headliner, Kendrick Lamar, played the beloved theme from the TV show Ted Lasso and extended warm wishes to the audience in celebration of pride.

Additionally, Umphrey’s McGee made a triumphant return, marking their impressive 10th performance at Bonnaroo since the festival’s inception in 2002, solidifying their status as perennial favorites.

The day itself was brimming with excitement as Bonnaroo-goers reveled in the quintessential festival experience. The early afternoon saw an incredible performance by Hermanos Gutiérrez, the Ecuadorian Swiss guitar virtuosos at That Tent, and Sammy Rae & The Friends’ funky indie rock on the What Stage, while Makaya McCraven’s awe-inspiring talent at This Tent and Franz Ferdinand’s dance-centric post-punk Scottish indie rock on the Which Stage, there was something for everyone.

As the evening approached, dreamy indie rock from around the world took center stage. Men I Trust enchanted the crowd at That Tent, while Norwegian songsmith girl in red mesmerized audiences on the Which Stage. Those still in the mood for non-stop partying found their space to dance at The Other, where producer MK spun tracks, as did Jauz. Finally, Swedish producer Alesso took to the decks at 8:15 p.m., ensuring the energy soared until the end.

As the sun dipped below the horizon, Bonnaroo ’23 bid farewell with an explosive finale, showcasing some of the greatest rock bands in the industry. Nashville’s own Paramore, fresh off their new release, This Is Why, rocked the main What Stage, while ’90s alt-rock legends Pixies, with bassist Paz Lenchantin in lieu of Kim Deal, closed out That Tent.

Notably, Foo Fighters–and their new lineup featuring seasoned drummer Josh Freese–rocked the What Stage at 9:30 p.m., beginning slightly earlier than expected, allowing Bonnaroovians the chance to depart early and ease back into what’s sure to be a beautiful summer.