Landslide Records 1033
Blueground Undergrass is back and as infectious as ever on Faces, a solid collection of originals and soulful covers. The opening ‘Faces’ is a classic catchy original from the Reverend Jeff Mosier, featuring his trademark impeccable vocal timing, while David Blackmon’s impressive fiddle work lays down the bluegrass foundation. Guy Clark’s ‘Dublin Blues,’ the first of four cover songs on Faces is the quintessential country-western ‘good love gone bad’ story. The bouncy ‘In This Life’ and surprising jazz-funk of ‘Our Feet’ are the work of the group’s other main songwriter, guitarist and vocalist Matthew Williams.
As if the vocal harmonies, bass work, and banjo pickin’ on "Clock Goes On" weren’t praiseworthy enough, the song proves once again that crafting upbeat, honest, emotional tunes is what Blueground Undergrass does best. The optimistic Williams composition, "Like Discovering The Ocean" is followed by the warm and traditional sounding "Renee," and then comes the beautifully textured "Potter’s Wheel." The dark ambience it creates feels almost Civil War-era, and it’s unique sound helps add even more depth to the diverse BGUG catalog.
Ralph Stanley’s "Clinch Mountain Backstep" gets a modern treatment with some electric guitar and crazy bass work. At first the effort proves exactly why electric guitar isn’t normally played with bluegrass tunes, but eventually it clicks and the earlier awkward efforts soon become forgivable. For "Ole Love Ole Tune," an uplifting spaced-out journey, Mosier invites along his friends and former Aquarium Rescue Unit bandmates, Col. Bruce Hampton on pedal steel, and Jimmy Herring on guitar, as well as Gary "El Buho" Gazaway on trumpet. El Buho then lends his horn to the closing "Black Muddy River," giving an interesting, somber twist to BGUG’s take on the Grateful Dead staple.
News
Archive- Toy Factory Project Debut the Grateful Dead’s “Franklin’s Tower”
- David Byrne Welcomes Stephen Colbert for “Burning Down the House” in Third-to-Last ‘The Late Show’ Episode
- Hipgnosis, the Design Group Behind Iconic Pink Floyd and Led Zeppelin Covers, Acquired by Primary Wave
- Montréal Jazz Fest Shares Final 2026 Lineup Additions: Kamasi Washington, MonoNeon, the Alchemist, Brandee Younger and More
- Bernie Sanders Unveils Musical Participants for Fight the Oligarchy Tour Stop in Portland, Maine
- Grateful Dead Preview 60-Year Anniversary Live Collection ‘Fillmore Auditorium, San Francisco, CA (7/3/66)’ with “Cold Rain and Snow”
- Read Joan Didion’s Previously Unreleased Grateful Dead Essay From the Summer of Love
- Heart of Gold Band: A Two-Night Celebration of the Life and Music of Donna Jean Godchaux-MacKay to Feature Steve Kimock, Greg Anton and More
Most Popular
- “This is Happening Now”: Bruce Springsteen at Barclays Center in Brooklyn
- Grace Potter’s Grand Point North Music Festival to Feature Portugal. The Man, Dawes, Dark Star Orchestra and More
- Watch: Don Was and the Pan-Detroit Ensemble Play Grateful Dead’s “The Music Never Stopped” and More on NPR Tiny Desk
- Molly Tuttle Welcomes Maggie Rose for The Rolling Stones and The Band Covers, Featured on New Old Crow Medicine Show Single “Last American Waltz”
- Primus Release ‘A Handful of Nuggs,’ New EP Preceding Claypool Gold Tour
- Angine de Poitrine Broaden North American Tour with New Appearances
- Listen: Grace Potter Previews New LP ‘Trespasser’ with First Single “Love Me Not”
- Watch: Paul McCartney Helps Close ‘Saturday Night Live’ Season 51 with “Days We Left Behind,” “Band on the Run” and “Coming Up” Encore

No Comments comments associated with this post